Rap artist Krisy & & PUMA’s RS-X Trophies Check out the Spirit of Unlimited Reinvention

Rap artist Krisy & & PUMA’s RS-X Trophies Check out the Spirit of Unlimited Reinvention

Checking Out Reinvention With Krisy & PUMA RS-X Trophies

Influenced by the brand name’s initial Running System designs that launched in the late 1980 s, the return of the PUMA RS line is one encapsulated by rediscovery and reinvention. Timeless designs like the RS-350 and RS-Computer assisted to redefine athletic shoes style in their period, and now an entire brand-new generation of PUMA RS designs are taking that very same approach to the extreme.

Get In the RS-X Trophies. Influenced by the brave energy of their origins, each RS-X Prize design integrates initial Running System innovation into its style in the type of encouraging cushioning in every panel of the shoe’s upper, pressed to the severe to develop an aggressive, sport-inspired shape that’s produced the contemporary streets.

In an age where culture is continuously progressing, and where the old is required to give way for the brand-new, the RS-X Trophies represent a happy welcome of reinvention, rendered in colorways that show the spirit of determination and success.

Highsnobiety/ Filmawi Efrem.

It’s a spirit that’s shown by Brussels-born rap artist, manufacturer and overall imaginative polymath Krisy, who in simply a couple of brief years has actually developed himself as one of the main centers in Belgium’s blossoming rap scene– and beyond.

After being presented to music through check outs to a youth house in 2010 where he tape-recorded his very first couple of tracks, Krisy rapidly welcomed his enthusiasm, acquiring sufficient devices to develop a rough house studio and finding out music production through YouTube videos, launching a stable stream of favored mixtapes along the method.

Highsnobiety/ Filmawi Efrem.

Highsnobiety/ Filmawi Efrem.

” After the 3rd mixtape, I started believing, ‘Why does not Belgium have its own hip-hop scene?'” he describes. “So I chose to end up being a full-time audio engineer and manufacturer to attempt and put Belgium on the map. I stopped rapping and essentially attempted to deal with as lots of artists in Brussels as possible. This remained in2014 By 2016, the scene was developed, so I returned to rapping and dropped a 6-track EP ( Parmis Vous), followed by an idea EP and acoustic movie ( Menthe a L’eau) 3 months after that.”

It’s a challenging job to set yourself a work schedule as callous and grinding as Krisy did, however eventually it settled, developing a variety of indispensable connections and relationships. “Belgium is a little nation,” he states. “All of us understand each other, specifically in Brussels, so it wasn’t always challenging finding individuals to deal with. However what it taught me was the value of perseverance; awaiting your time. Eventually, that perseverance put me on time for the most significant modifications that would come in the future.”

Highsnobiety/ Filmawi Efrem.

Highsnobiety/ Filmawi Efrem.

Highsnobiety/ Filmawi Efrem.

Highsnobiety/ Filmawi Efrem.

Fast-forward to 2019 and Krisy has actually launched 7 full-length jobs– with much more if you count his production credits under his other name, De La Fuentes– and his imaginative empire is broadening ever even more with his young imaginative firm, LeJeune Club, an outlet for jobs as varied as haute couture, video, audio production, and occasions.

At such a young age, it’s a marvel Krisy has the ability to keep all these plates spinning at the same time, however what keeps him encouraged is the memory that modification and adjustment is a needed part of growing and progressing, specifically when you have actually worked so difficult to get where you are.

” It’s everything about preparation, discipline, entourage, and envy. I have actually made numerous sacrifices, combined with a great deal of pressure, however at the end it resembles, you require to go through that to value when you have actually attained among your dreams.”

Highsnobiety/ Filmawi Efrem.

It’s that welcome of continuous development and reinvention that sees a lot of Krisy’s approach showed in PUMA’s RS-X Trophies. Built on the structure of styles that changed athletic shoes over 30 years earlier, however fearlessly forward-facing in their approach and visual touch, each shoe in the RS-X Prize collection records a spirit of accepting the brand-new; rolling with it, and venturing to develop something even more recent, more revolutionary, and more interesting at the same time.

Time passes. Monoliths fall apart. However the traditions that they represent, continued by each following generation, last a lot longer. It’s this sense of timelessness that the RS-X Trophies represent. A shepherding of withstanding PUMA creates into a brand-new, tidy, modern type– one that never ever forgets the history it brings within it, whilst always remembering to keep it transferring to the next level.

Eventually, it’s a mindset that Krisy puts best, concise: “Keep your direct. Stay simple. Life is excellent. Let’s go.”

Check Out puma.com to learn more and police officer the collection and follow @PUMASportstyle on Instagram for all the current news and releases.

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  • Production:
    Klaudia Podsiadlo
  • Production Assistant:
    Indigo Janka
  • Editor:
    Aaron Howes
  • Image Manager:
    Callum Leyden
  • Task Management:
    Tom Garland
  • Music:
    ” Tradition” by Krisy (Prod. Gracy Hopkins)
  • Director:

    Filmawi Efrem.
  • Photography:

    Filmawi Efrem.
  • Skill:

  • Manufacturer:
    Islay Leefe-Griffiths
  • Executive Manufacturer:
    Kadri Mahmoud
  • Director of Photography:
    Joel Honeywell
  • 1st Assistant Director:
    Ty Hack
  • Production Designer:
    Zuzanna Sturkys
  • Stylist:
    Sophie Casha
  • VFX:
    Unknown Studios
  • Colorist:
    Ruth Wardell/ Electric Theatre Collective
  • Hair & Makeup:
    Lisa Chau
  • Focus Puller:
    Hopi Demattio
  • Steadicam:
    Matt Alsop
  • Gaffer:
    Vini Curtis
  • Electrical Contractor:
    Idris Rhys & Natasha Duursma
  • Assistant Art Director:
    Daisy Fraser
  • Runners:
    Carmen Du Preez, Mark Twiggs, & Stefano Contini
  • Catering:
    Rhythm Kitchen Area
  • Transportation:
    Sam Coll/ Grump Transportation
  • Video Camera Devices:
    Take 2
  • Lighting Devices:

Gregk Foley is an author based in Berlin whose work checks out the crossways of design, culture, politics and identity.


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